Let's delve into the intriguing world of documentary filmmaking and its unique take on cinematic failures.
The Art of Documenting Flops
In a film industry often obsessed with success stories, it's refreshing to encounter a documentary that dares to explore the flip side - the flops.
Boorman and the Devil is a prime example of this genre, offering a deep dive into the making and unmaking of a notorious box office bomb, Exorcist II: The Heretic. What makes this documentary particularly fascinating is its access to key players, including the film's director, John Boorman, who is surprisingly open and candid about his one massive flop.
A Tale of Missteps
One might assume that the failure of a film is often due to external factors like studio interference or market trends. However, Boorman challenges this notion. With a substantial budget, final cut privileges, and a supportive studio, he had the creative freedom many filmmakers dream of. So, what went wrong?
Personally, I think it's a tale of mismatched intentions. Boorman, an admitted non-fan of the original The Exorcist, set out to create a riposte, a film that celebrated the power of good over evil. But in 1977, audiences craved the opposite.
This raises a deeper question: Can a filmmaker truly disconnect from the audience's expectations and still create a successful sequel?
The Director's Perspective
Boorman's honesty is a highlight of the documentary. He takes full responsibility for the film's shortcomings, acknowledging his lack of understanding or care for what the audience wanted. It's a rare and refreshing display of humility from someone with such an esteemed career.
What many people don't realize is that even the most celebrated directors have their missteps. Boorman's willingness to discuss this failure speaks volumes about his character and his growth as an artist.
Creative Choices and Their Consequences
The documentary reveals how Boorman and his collaborator, Rospo Pallenberg, aimed for a dreamlike film. However, their creative choices, like the tap-dancing scenes and the infamous 'synchronizer' sequences, fell flat, almost literally putting audiences to sleep.
It's a reminder that even the most well-intentioned artistic decisions can backfire, especially when they deviate too far from audience expectations.
A Different Perspective
Despite the film's critical reception, Boorman and the Devil offers a platform for defenders of Exorcist II. Mike Flanagan, for instance, appreciates the film's cinematography and score, encouraging viewers to see its merits beyond its status as a sequel.
This documentary serves as a reminder that even failures can have redeeming qualities, and it's a perspective worth considering in an industry often quick to dismiss anything but perfection.
Conclusion
Boorman and the Devil is more than just a documentary about a failed film. It's a study of artistic intent, audience expectations, and the complex relationship between them. It leaves us with a thought-provoking question: In the pursuit of artistic expression, how much should filmmakers consider the audience's desires?
This documentary is a must-watch for film enthusiasts, offering a unique perspective on the industry and a refreshing take on cinematic failures.
